The precise identity of the songs varies according to who is doing the collecting, but in almost all versions the bulk of them were composed, starting in the s, by a small almost all male group of composers and lyricists including George and Ira Gershwin, Cole Porter, Irving Berlin, Richard Rodgers teaming first with Lorenz Hart and later with Oscar Hammerstein, II , Harold Arlen, Johnny Mercer, Duke Ellington, and a few dozen more luminaries. These songs meet those requirements, and extend even further. There are rests, points of emphasis, and overall balance and taste.
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The Great American Songbook is the canon of American popular songs and jazz standards. Although several collections of music have been published under the title, it does not refer to any actual book or specific list of songs. Music critics have attempted to develop a "canon. A composer, Wilder emphasized analysis of composers and their creative efforts in this work. Radio personality and Songbook devotee Jonathan Schwartz has described this genre as "America's classical music". In , rock musician Ringo Starr surprised the public by releasing an album of Songbook songs from the s, s, and s, Sentimental Journey. Reviews were mostly poor or even disdainful, [19] but, being by a Beatle, the album reached 22 on the US charts [20] and 7 in Britain, [21] with sales of , It's a lot of songs that were my initiation to music. It's all the tracks that, when my mother and my father came home from the pub out [of] their heads, they'd sing all these songs. Other pop singers who established themselves in the s or later followed with albums reviving songs from the Great American Songbook, beginning with Harry Nilsson in [24] and continuing into the 21st century.
A neglected musical heritage.
American composer George Gershwin was eminently successful in popular music, as well as in the classical field with several concert works and an opera that have become standards in the contemporary repertory. George Gershwin played a prominent role in one of the most colorful eras of American popular music: the so-called age of Tin Pan Alley — roughly — when popular music became big business. The musical theater and the private parlor rang with the sounds of ragtime, romantic ballads, and comedy songs. Talented composers such as Gershwin, Irving Berlin, and Jerome Kern, among dozens of lesser figures, fed this lucrative music-making machine and flourished. He began writing his own songs about this time mostly with lyricist Irving Caesar , none of which his employer was interested in publishing. Gershwin also began to get a few songs set into current musical shows, a common practice of the day.
American popular music has had a profound effect on music across the world. In addition, the American music industry is quite diverse, supporting a number of regional styles such as zydeco , klezmer and slack-key. Distinctive styles of American popular music emerged early in the 19th century, and in the 20th century the American music industry developed a series of new forms of music, using elements of blues and other genres of American folk music. The s and s saw a number of important changes in American popular music, including the development of a number of new styles, such as heavy metal, punk, soul, and hip hop. Though these styles were not in the sense of mainstream , they were commercially recorded and are thus examples of popular music as opposed to folk or classical music. The earliest songs that could be considered American popular music , as opposed to the popular music of a particular region or ethnicity, were sentimental parlor songs by Stephen Foster and his peers, and songs meant for use in minstrel shows , theatrical productions that featured singing, dancing and comic performances.
